Sally, one of our dedicated Collection Research volunteers, has researched a captivating piece from the Powerhouse’s collection: the pair of painted vases, Object No. A836. These vases provide a fascinating glimpse into both historical craftsmanship and the burgeoning Australian nationalism of the late 19th century.
Crafted by Doulton & Co. at the Lambeth Works in England between 1894 and 1900, these glazed earthenware vases stand out for their exquisite craftsmanship and distinctive decoration. Hand-painted by Katherine B. Smallfield, a specialist in floral compositions, they feature pink bottle brush motifs, a nod to Australia’s unique flora.
The choice of the pink bottle brush reflects a period when Australians were increasingly embracing their own natural heritage. The vases’ design, inspired by Miss Geraldine Rutherford from Bathurst, highlights a shift towards a more locally inspired aesthetic during a time when the nation was striving for a distinct identity separate from British influences.
In the late 19th century, as Australia moved towards Federation, there was a strong sense of national pride and a desire to assert a unique cultural identity. This period saw a blossoming interest in Australian motifs, as evidenced by Doulton & Co.’s strategic adaptation to local tastes. The company produced an ‘Australiana’ collection to cater to a populace eager to celebrate their own flora and fauna.
Henry Doulton, the son of the company’s founder, played a pivotal role in establishing Doulton & Co.’s global reputation. His efforts to promote English ceramics and inspire admiration in the colonies led him to donate a selection of their works to the Powerhouse Museum in 1892. This donation aligned with the museum’s mission to recognise applied arts and sciences while celebrating Australia’s unique heritage.
Through Sally’s research, we gain a deeper understanding of these painted vases and their significance. They stand as a testament to the rich intersection of British craftsmanship and Australian artistic identity, reflecting a period of growing national pride and cultural evolution.
By Karen Griffiths, Volunteer Programs Officer