In the spirited finale of the Sydney 2000 Olympic Games, an enchanting touch of nostalgia graced the closing ceremony, capturing the essence of a bygone era. Amidst the dazzling lights and pulsating beats, a troupe of oversized kewpie dolls stole the show, bringing a whimsical charm to the event.
Designed by the talented Brian Thomson, these kewpie dolls, mounted on steel-base trolleys, became stars of the musical segment ‘Love Is In the Air.’ Crafted with meticulous detail, their heads and bodies were cast in fiberglass from polystyrene molds. Adorned in vibrant, mismatched dresses, each doll was a unique masterpiece, their crinoline and tulle skirts enforced with fiberglass rods to prevent catching under the trolley wheels. One of these endearing dolls, affectionately known as ‘Scarlet,’ became a symbol of the evening’s festivities.
As the ceremony unfolded at Stadium Australia, Homebush Bay, the atmosphere shifted from decorum to a riotous celebration after the Olympic flame was extinguished. The stage was set for a grand party, Australian style, where everyone was invited to a giant backyard adorned with Hills Hoists, barbecues, and an eclectic mix of music and performers. In this vibrant setting, the kewpie dolls made their grand entrance, evoking the charm of old-time fairgrounds and childhood innocence.
Amidst the spectacle of dance and music, the dolls not only entertained but also carried a deeper cultural significance. They subtly alluded to Ray Lawler’s iconic play, ‘The Summer of the Seventeenth Doll,’ where kewpie dolls symbolized the illusionary nature of relationships, capturing the innocence and fantasy inherent in human connections. This clever nod added layers of meaning to their presence, making them more than just props but carriers of cultural commentary.
In the midst of this festive extravaganza, the kewpie dolls stood as a testament to the creative genius of their originator, Rose O’Neill. Originating in 1909, these dolls, inspired by Cupid, quickly became beloved icons, transitioning from illustrations to ceramic collectibles. Their popularity soared, and they found their way into the hearts of millions worldwide, becoming cherished prizes at fairground sideshows.
The kewpie dolls, reincarnated in fiberglass for the Sydney 2000 Olympic Games, became a vibrant thread in the rich tapestry of the closing ceremony. Their presence, echoing the innocent joy of childhood, added a touch of whimsy to the event, reminding the world that amidst the grandeur of international sports, there is always room for a sprinkle of nostalgia and innocent delight.
In the grand mosaic of the 1001 Remarkable Objects exhibition, the kewpie doll stands out as a testament to the enduring appeal of simple, heartfelt creations. Their legacy lives on, not just as objects of the past, but as timeless symbols of joy, fantasy, and the enduring spirit of celebration.
The Kewpie doll is currently on display in the 1001 Remarkable Objects exhibition. Learn more here.
Karen Griffiths
Volunteer Program Officer