Image – POWERHOUSE VOLUNTEERS

Sydney Science Festival 2025 at Parramatta

For this year’s Sydney Science Festival, Powerhouse Museum presented a special edition in collaboration with the International Astronautical Congress (IAC) and the Australian Space Agency as part of IAC 2025 Space Week. Running from 27 September to 4 October 2025, the festival brought to life a dynamic program celebrating science, innovation, and the boundless possibilities of space exploration.

Whether listening to an astronaut share their journey or building colourful kites with their own hands, visitors experienced science not as something distant in the sky, but as a space they could touch, feel, and immerse themselves in across Parramatta Square, PHIVE and Centenary Square.

Volunteer Ron providing guidance for participants

Every part of the festival was designed to spark genuine curiosity, creating moments where people could build, ask questions, and discover together. Our staunchly incredible team of thirteen volunteers went above and beyond to make this possible.

You could spot them everywhere — kneeling beside families at the kite-making tables, chatting with children about rockets, or helping visitors uncover the layered stories behind each astronaut’s journey.

Volunteer Lilian guiding kids during Sci-Fi Character Workshop

Their openness and enthusiasm gave the festival its warmth and radiance, weaving together Parramatta’s diverse communities through shared participation and discovery.

Volunteers Fantasia, Maresa and Mary supporting the Spacesuit Patchmaking Workshop

It was a full, fast-moving event, yet every volunteer adapted seamlessly, jumping into every task with focus, generosity, and bright energies.

Sydney Science Festival Volunteers

A huge thank you to everyone who showed up with heart, hustle, and an open spirit to make this such a stellar success. With over 10,000 people joining in on the fun throughout the day, your energy and dedication shaped the experience for every single one of them — and filled it with so much colour.

Truly the backbone of this program and we couldn’t have done it without you!

Blogpost by Bindi Mutiara (Volunteer Programs Partner)

Linda Jackson’s incredibly ‘Waratah’ outfit……..

This week Collection Research volunteer, Isabella, shares her passion for Linda Jackson.

In the vibrant world of fashion, few names evoke the spirit of Australia quite like Linda Jackson. Isabella, one of our Collection Research Volunteers has had the privilege of delving into the rich tapestry of her design legacy, and I must admit, after reading her work, my admiration for Linda knows no bounds.

One of the standout pieces in Jackson’s illustrious career is the mesmerizing ‘Waratah’ ensemble from her 1984 Bush Couture blossoms collection, which was recently showcased in the 1001 Remarkable Objects exhibition at the Powerhouse, Object No: 90/660. Crafted with meticulous attention to detail, this three-piece marvel comprises a skirt, top, and overskirt, all adorned with layers of overlapping petal-shaped fabric, creating a stunning resemblance to the native waratah flower. It’s a testament to Jackson’s lifelong passion for celebrating the beauty of the Australian natural environment, a theme woven intricately throughout her work.

Linda Jackson & Jenny Kee, Flamingo Park frock salon in Sydney’s Strand Arcade.

My fascination with Linda Jackson’s designs stems not only from their aesthetic appeal but also from the profound cultural resonance they evoke. Linda Jackson has been recognised as an icon of the Australian fashion industry. After Jackson met fellow designer Jenny Kee in 1973, the two formed a creative partnership and collaborated on the opening of Kee’s new fashion boutique Flamingo Park frock salon in Sydney’s Strand Arcade.

Jackson and Kee quickly garnered a cult-following for their one-of-a-kind whimsical designs and yearly fashion parades celebrating the uniqueness of the Australian landscape and culture. After Jackson and Kee’s last collection together in 1981, the designers parted ways and Jackson established her own fashion label Bush Couture in 1982. Through placing the Australian landscape at the focal point of her designs Jackson’s collections have been crucial in sparking worldwide interest in Australian culture.

What truly sets Jackson apart is her unwavering commitment to innovation and artistic exploration. Drawing inspiration from a myriad of influences spanning continents and cultures, she transcends the confines of seasonal trends, creating timeless pieces that resonate with audiences worldwide.

Linda Jackson https://www.smh.com.au/lifestyle/fashion/linda-jackson-i-m-happy-on-my-own-20211006-p58xrk.html

As I’ve immersed myself in Jackson’s world, I’ve come to appreciate not just her remarkable talent but also her enduring impact on the Australian fashion landscape. It’s no wonder she’s garnered international acclaim, receiving prestigious accolades such as the Officer of the Order of Australia and the Australian Fashion Laureate Lifetime Achievement Award, and even having her own exhibition, “Step into Paradise” alongside Jenny Kee at the Powerhouse.

In the realm of fashion, Linda Jackson is more than a designer; she’s a visionary, a pioneer, and an icon. And it was pleasure to read Isabella’s research on Linda Jackson and the incredible “Waratah” dress.

Karen Griffiths
Volunteer Program Officer

Powerhouse Castle Hill | Family Day – Gaming

This week Karen looks back at the recent Gaming Family Day at Castle Hill

On Saturday, 2nd March, Powerhouse Castle Hill welcomed over 800 visitors to a thrilling event: Family Day – Gaming. The atmosphere was charged with excitement as families immersed themselves in a day filled with captivating demonstrations, interactive workshops, immersive tours, and hands-on activities. It was an opportunity to showcase the gaming-themed treasures within the Powerhouse Collection.

Central to the success of the event were the dedicated volunteers who generously gave their time and energy. Their enthusiasm and commitment were instrumental in creating an engaging and welcoming atmosphere for all attendees. From playtesting new games to facilitating Dungeons and Dragons sessions, our volunteers went above and beyond to ensure everyone had a memorable experience.

Millie playing iconic arcade game, Donkey Kong

Throughout the day, attendees enjoyed a variety of activities, including playtesting upcoming games like “Doggy Don’t Care” by Rohan Nowell and “Which Way Up” by Turtle Flip Studio. They also had the chance to embark on fantasy quests in inclusive Dungeons and Dragons sessions, assisted by our passionate volunteers.

The Speed Building Minecraft Challenge provided a platform for participants to showcase their creativity, with volunteers offering encouragement and assistance as they raced to build objects in the game. Meanwhile, DnD character creation sessions allowed attendees to craft their own unique characters with the guidance of our volunteers.

In the Pixilart Workshop, participants honed their pixel art design skills under the supportive guidance of volunteers, creating their own gaming characters. And for those interested in the Pokémon Trading Card Game, volunteers were on hand to provide guidance and support as participants learned to play and develop strategies.

Theresa and Jasmin at the Pokémon Trading Card Game

Of course, the event wouldn’t have been complete without the colorful presence of cosplay characters, adding an extra layer of excitement and immersion to the festivities.

As the day came to a close, we extend our heartfelt thanks to our eight enthusiastic volunteers. Their dedication and passion were truly inspiring, and we are immensely grateful for their invaluable contributions. Together, we created lasting memories and moments of joy for all who attended Family Day – Gaming at Powerhouse Castle Hill. Here’s to many more unforgettable events in the future!

Karen Griffiths
Volunteer Program Officer

Government House Field Trip

This week Karen looks back at the recent January field trip to Government House.

Our January visit to Government House was truly exceptional, offering an exclusive tour guided by the highly knowledgeable volunteer, Terry. Having worked at Government House 11 years ago, the experience held a special place in my heart, reuniting with familiar faces and rekindling fond memories within the grandeur of this historic building.

Terry, our dedicated guide, skillfully led us through the resplendent Dining Room, where extravagant dinners with over 30 courses were once served. The dining room’s ceiling is adorned with depictions of wheat, grapes, fruit, fish, fowl, and a hare.

Next, we explored the Drawing Room, aptly named for its historical function. Terry enlightened us on the tradition where, after dinner, ladies would withdraw to this room, leaving the gentlemen in the dining room. The ceiling, adorned with paintings of four ladies in different seasonal dresses, provided a visual journey into the social rituals of the past.

The Ballroom, originally known as the music room, revealed its majestic beauty as Terry shared its dual role in hosting Vice Regal ceremonies and various formal events. The intricately decorated ceiling, featuring an array of musical instruments, set the stage for a grand spectacle.

One of the most enchanting tales shared by Terry was the love story encapsulated in the portraits of Queen Victoria and her husband, Prince Albert. Positioned to face each other on the Ballroom wall, these portraits reflect enduring love and devotion that transcends time. Terry shared a heartwarming detail – when one portrait is temporarily removed for cleaning, the other comes down simultaneously. This thoughtful practice ensures that the couple is never truly apart, symbolizing a beautiful narrative of eternal connection.

Our outing was truly memorable, and for those interested in exploring Government House, it’s open on Fridays, Saturdays, and Sundays from 10:30 am to 3:00 pm, with guided tours operating half-hourly. Learn more about this historical gem here.

Karen Griffiths
Volunteer Program Officer

Who are Larry and Lizzy?

This week Karen takes a look at Larry and Lizzy in 1001 Remarkable Objects.

In 1001 Remarkable Objects exhibition, it’s hard to miss Larry and Lizzy! I love these two, and how they pay tribute to Sydney’s beloved Luna Park.

In the 1970s, Leigh Hobbs brought to life the character of Larry Luna for the reopening of Luna Park in Sydney. Since 1935, Luna Park has stood as a prominent site for recreation and leisure on the north harborside of Sydney, contributing significantly to the city’s identity with its breathtaking location and views.

Within the Museum’s collection, one can find a treasure trove of Luna Park’s history, including photographs by David Mist, tickets, advertising materials, and displays created by Leigh Hobbs. Among these are the charming figures of Larrie and Lizzie Luna, crafted by Hobbs in the 1970s for the park’s reopening.

Luna Park Glenelg, in Glenelg, South Australia. The rides from this park were brought to Sydney and used to open Luna Park, Sydney.

The origins of Sydney’s Luna Park can be traced back to Glenelg in Adelaide, where a park of the same name was established in 1930. However, due to issues with residents and the local council, it was forced to close. The contents of the park were then transported to Sydney, overseen by Ted Hopkins, and Luna Park reopened in 1935 on a site recently vacated by the Sydney Harbour Bridge construction project.

Luna Park’s festive ambiance has always been enhanced by exquisite fairground artwork. Arthur Barton, the park’s resident artist until 1970, infused murals and panels with humor and whimsy. The 1970s saw a revitalization of Luna Park with the collaboration of artists like Martin Sharp, Peter Kingston, and Richard Liney. Unfortunately, after a fatal ghost train fire in 1979, Luna Park closed its doors.

In 1981, a new leaseholder, Harbourside Amusements, took charge, introducing new attractions while phasing out some of the older rides and artwork. Despite this, Luna Park faced closure again in 1988. The determined efforts of Friends of Luna Park, a community organization, along with public protests and lobbying, compelled the state government to intervene, preventing a proposed high-rise development. This ensured that Luna Park’s site would remain reserved for public recreation, amusement, and entertainment.

A rejuvenated Luna Park welcomed visitors once again in 1995, only to face closure in the early 2000s due to complaints about noise from the new Big Dipper. However, the park resiliently reopened in 2004, boasting a new Big Top and a refurbished Crystal Palace. Traditional attractions like the Rotor, the Wild Mouse, and Coney Island continue to add to the allure of Luna Park, a testament to its enduring charm and ability to overcome challenges.

As I reflect on these objects, my heart swells with affection for Luna Park. Its rich history and the joyful experiences I’ve had there are a testament to the enchantment Luna Park has woven into the fabric of Sydney’s identity.

Larry and Lizzy are currently on display in the 1001 Remarkable Objects exhibition. Learn more here.

Karen Griffiths
Volunteer Program Officer

Powerhouse Castle Hill | Family Day – Holidays

This week Karen looks back at the recent Holidays Family Day at Castle Hill

On the vibrant Saturday of December 2nd, Powerhouse Castle Hill played host to an unforgettable event, Family Day – Holidays. The atmosphere was alive with excitement as families immersed themselves in a day filled with captivating demonstrations, interactive workshops, immersive tours, and hands-on activities. The event was a unique opportunity to showcase the hidden treasures of holiday-themed objects within the Powerhouse Collection.

One of the highlights of the day was the Youth Makers Market, curated by Handy with Scissors. Families explored this creative hub, discovering original artworks and crafts crafted by the talented young locals—a true testament to the community’s artistic spirit.

Volunteers were the heart and soul of the event, ensuring that every visitor had a memorable and enriching experience. Their dedication and enthusiasm added an extra layer of warmth to the festivities.

The day was brimming with exciting activities that catered to all ages and interests. One such highlight was the Travel Postcards workshop led by the talented Laura Carey. This hands-on activity turned out to be delightfully messy as visitors learned the art of crafting travel postcards using printmaking techniques.

Kim assisting at the Travel Postcards activity

At the Holiday Themed Discovery Station, families had the chance to step back in time and engage with picnic-themed objects, including old Eskys, parasols, straw hats, and vintage tram tickets. The interactive experience allowed visitors to dress up and touch these nostalgic items, creating a tangible connection to holiday memories of yesteryears.

A trip down memory lane awaited families at the Picnic Play activity. Volunteers played a pivotal role in guiding visitors through Picnic Play, where families engaged in creating their best holiday themed craft. The laughter and joy echoed as memories were made in the form of unique and imaginative craft displays.

Lucie and William at the Picnic Play activity

The Holiday Snaps activity was another crowd-pleaser, where families captured the essence of their cherished moments. The volunteer team had a playful group shot! The activity added a personal touch to the day’s festivities.

In the true spirit of the holiday season, Family Day at Powerhouse Castle Hill brought together the community in a celebration of creativity, nostalgia, and togetherness. As the echoes of laughter and the warmth of shared experiences lingered in the air, it was evident that the event had successfully created lasting memories for families to treasure. Until the next celebration at Powerhouse Castle Hill, may the holiday spirit continue to shine bright in the hearts of all who attended.

Karen Griffiths
Volunteer Program Officer

Powerhouse Castle Hill | Family Day – Architecture

This week Karen looks back at the recent Architecture Family Day at Castle Hill

This past Saturday, Powerhouse Castle Hill hosted Family Day – Architecture, a bustling event featuring exciting demonstrations, interactive workshops, immersive tours, and hands-on activities. The day provided a one-of-a-kind opportunity to highlight the remarkable architectural treasures housed within the Powerhouse Collection.

Volunteers played a pivotal role in ensuring that visitors had a memorable and enriching experience. Here’s a glimpse of the exciting activities that awaited families on this architecture -themed day:

Lahznimmo Architects X Powerhouse Co-developed with Lahznimmo Architects and Powerhouse, families were invited to be a team of architects to problem solve, design and create a new piece of architecture.

Victor and Caroline at the Lahznimmo Architects X Powerhouse activity

Minecraft Quick Build Challenge the Quick Build Challenge was to design and create a building in 10 minutes or less in the Minecraft world.

Tower Challenge the Tower Challenge tested visitors physical and fine motor skills, building a tower using pegs and popsicle sticks!

Paper Model Building Families were invited to reconstruct iconic buildings around Castle Hill using paper, through examining the basic shapes and blocks that make up these iconic building designs.

Millicent and Victor at the Paper Model Building activity

Lost Cities Tour This tour explored remnants saved from long-gone buildings, including a waterfront mansion, shopping centre and even a palace.

In addition to these engaging activities, the Architecture Discovery Station offered a haven for builders. Families could delve into the fascinating realm of architectural arches, including the Roman, Catenary, and Parabolic arches. Visitors had the opportunity to learn about their history, features, and applications through detailed models.

Jasmin and Caroline at the Architecture Discovery Station

Family Day – Architecture provided a captivating opportunity to explore the world of architecture and our built environment, delving into the stories and designs behind iconic structures. Whether you loved architecture or simply curious to learn more, this event celebrated the beauty and creativity of architecture in a memorable and engaging way.

Karen Griffiths
Volunteer Program Officer

That big doll…

This week Karen takes a look at that big doll in 1001 Remarkable Objects.

In the spirited finale of the Sydney 2000 Olympic Games, an enchanting touch of nostalgia graced the closing ceremony, capturing the essence of a bygone era. Amidst the dazzling lights and pulsating beats, a troupe of oversized kewpie dolls stole the show, bringing a whimsical charm to the event.

Closing Ceremony, Sydney Olympic Games 2000. Click on the pic for soundtrack

Designed by the talented Brian Thomson, these kewpie dolls, mounted on steel-base trolleys, became stars of the musical segment ‘Love Is In the Air.’ Crafted with meticulous detail, their heads and bodies were cast in fiberglass from polystyrene molds. Adorned in vibrant, mismatched dresses, each doll was a unique masterpiece, their crinoline and tulle skirts enforced with fiberglass rods to prevent catching under the trolley wheels. One of these endearing dolls, affectionately known as ‘Scarlet,’ became a symbol of the evening’s festivities.

Closing Ceremony, Sydney Olympic Games 2000

As the ceremony unfolded at Stadium Australia, Homebush Bay, the atmosphere shifted from decorum to a riotous celebration after the Olympic flame was extinguished. The stage was set for a grand party, Australian style, where everyone was invited to a giant backyard adorned with Hills Hoists, barbecues, and an eclectic mix of music and performers. In this vibrant setting, the kewpie dolls made their grand entrance, evoking the charm of old-time fairgrounds and childhood innocence.

Amidst the spectacle of dance and music, the dolls not only entertained but also carried a deeper cultural significance. They subtly alluded to Ray Lawler’s iconic play, ‘The Summer of the Seventeenth Doll,’ where kewpie dolls symbolized the illusionary nature of relationships, capturing the innocence and fantasy inherent in human connections. This clever nod added layers of meaning to their presence, making them more than just props but carriers of cultural commentary.

In the midst of this festive extravaganza, the kewpie dolls stood as a testament to the creative genius of their originator, Rose O’Neill. Originating in 1909, these dolls, inspired by Cupid, quickly became beloved icons, transitioning from illustrations to ceramic collectibles. Their popularity soared, and they found their way into the hearts of millions worldwide, becoming cherished prizes at fairground sideshows.

The kewpie dolls, reincarnated in fiberglass for the Sydney 2000 Olympic Games, became a vibrant thread in the rich tapestry of the closing ceremony. Their presence, echoing the innocent joy of childhood, added a touch of whimsy to the event, reminding the world that amidst the grandeur of international sports, there is always room for a sprinkle of nostalgia and innocent delight.

In the grand mosaic of the 1001 Remarkable Objects exhibition, the kewpie doll stands out as a testament to the enduring appeal of simple, heartfelt creations. Their legacy lives on, not just as objects of the past, but as timeless symbols of joy, fantasy, and the enduring spirit of celebration.

The Kewpie doll is currently on display in the 1001 Remarkable Objects exhibition. Learn more here.

Karen Griffiths
Volunteer Program Officer

A car I love…

This week Karen takes a look at the Detroit Electric Brougham Electric Car in 1001 Remarkable Objects.

In the midst of the bustling twentieth century, where horse-drawn carriages still graced the streets and the roar of petrol engines was yet to dominate the urban soundscape, there emerged a revolution that promised a quieter, smoother, and more elegant mode of transport – the electric car. The year was 1917, and in the heart of Detroit, the Anderson Electric Car Co gave birth to a marvel, the Detroit Electric brougham, a testament to the ingenuity and foresight of its time.

This magnificent creation found its home in the hands of Sydney solicitor Arthur Allen, becoming an integral part of his family’s life for over three decades. Its journey didn’t end there; in 1947, it found a new sanctuary at the Museum, a living relic of an era when electric cars were not just a novelty but a thriving reality on the roads.

Object No.B1057-1 Automobile, full size, Detroit Electric car, brougham body, 80 volt, 10 hp, Class G, Size 80, motor No.16770, metal / upholstery / glass, made by Anderson Electric Car Co, Detroit, Michigan, United States of America, 1917, used by Arthur and Denis Allen, Sydney, New South Wales, 1917-1947

Rewind a few years, and electric cars were all the rage, especially in Australia during the First World War. The soaring petrol prices led to a surge in electric car popularity, so much so that the Sydney City Council established special charging stations, envisioning a future where the noisy, maintenance-heavy petrol cars would become obsolete relics of the past. The Detroit Electric, with its silent grace and ease of operation, stood at the forefront of this revolution.

What set the Detroit Electric apart was not just its functionality but its perception as a symbol of luxury and sophistication. Women, in particular, found solace in its quiet demeanor and the absence of the daunting starter handle. It became a statement of elegance, a choice for shopping sprees and social calls, ferrying unescorted women in style and comfort. The advertising of the time portrayed it as the epitome of “elegant comfort and independent privacy” – a society’s town car, a chariot of sophistication.

Even the automobile magnate Henry Ford, known for his mass production of petrol cars, succumbed to the allure of the Detroit Electric. In 1908, he acquired a Model C Coupe Detroit Electric for his wife Clara, marking the beginning of a love affair with this silent marvel. Clara’s car even had a specially crafted baby seat for their son Edsel, showcasing the adaptability and practicality of electric cars.

Yet, despite the promise and popularity, the electric car faced hurdles. Heavy batteries, limited range, and lower speeds posed challenges that the industry struggled to overcome. The dream of an all-electric future, where petrol engines were mere relics of the past, slowly faded away. The world, it seemed, was not quite ready for the electric revolution.

Fast forward to the present, and the Detroit Electric brougham stands as a cherished object, a reminder of a time when electric cars ruled the roads, promising a future that, although delayed, eventually came to fruition. As we stand amidst the remarkable objects in the 1001 exhibition, it’s hard for me not to fall in love with this car, a symbol of innovation, elegance, and a future that dared to be different. The Detroit Electric car, in all its silent glory, whispers the tales of a bygone era, reminding us that sometimes, the future we imagine takes a bit longer to arrive, but when it does, it’s nothing short of remarkable.

The Detroit Electric car is currently on display in the 1001 Remarkable Objects exhibition. Learn more here.

Karen Griffiths
Volunteer Program Officer

That really cool bowl…

This week Karen takes a look at those really cool glass bowls in 1001 Remarkable Objects.

In the vibrant world of glass artistry, one name stands out: Dale Chihuly, a maestro whose creations have captured the imagination of art enthusiasts worldwide. Born in 1941, Chihuly’s journey into the mesmerizing realm of glass began during his days as an interior design student at the University of Washington, Seattle. It was there that his fascination with glass was ignited, leading him to experiment with weaving glass onto tapestry, a venture that eventually led him to the intricate art of glass blowing.

Set of sculptural bowl forms (13), ‘Violet macchia set with teal lip wraps’, glass, Dale Chihuly, United States of America, 1992

Chihuly’s passion for glass artistry took him to Murano, Venice, in 1967, a pivotal moment that enriched his skills and expanded his artistic horizons. Upon his return to the United States, he was instrumental in establishing a new glass blowing program at the Rhode Island School of Design. Later, in collaboration with fellow artists, he co-founded the Pilchuck Glass School near Seattle, a prestigious institution that has become a hub for nurturing talents in the field of studio glass blowing.

However, fate had its own plans for Chihuly. In 1976, a life-altering car accident claimed the vision in his left eye, followed by a sporting injury the following year. These incidents compelled Chihuly to take a step back from personally blowing glass. Despite these challenges, his creative spirit remained unyielding. He transformed into a choreographer of glass, overseeing his team of skilled craftsmen, directing the symphony of colours and forms that characterize his unique creations.

Bowl, ‘Deep cobalt macchia with yellow lip wrap’, glass, Dale Chihuly, United States of America, 1992

One can’t help but marvel at Chihuly’s enduring legacy. His studio in Seattle, Washington, continues to be a hub of innovation and creativity. Together with his dedicated team, he crafts breathtaking installations, commissioned sculptures for patrons around the globe, and exhibits that leave viewers in awe.

The TV show Frasier had one of DALE CHIHULY glass bowls in the lounge room

Among the myriad of remarkable objects in the world, my personal favourite from 1001 Remarkable Objects is undoubtedly the masterpiece by Dale Chihuly. This exquisite creation not only exemplifies his mastery of the craft but also serves as a testament to the resilience of artistic spirit, inspiring generations to come.

The glass bowls are currently on display in the 1001 Remarkable Objects exhibition. Learn more here.

Karen Griffiths
Volunteer Program Officer